Series: Music in American Life
Hardcover: 480 pages
Publisher: University of Illinois Press; 1 edition (August 30, 2006)
Language: English
ISBN-10: 0252031474
ISBN-13: 978-0252031472
Product Dimensions: 8.5 x 1.5 x 11 inches
Shipping Weight: 3.4 pounds (View shipping rates and policies)
Average Customer Review: 4.9 out of 5 stars See all reviews (8 customer reviews)
Best Sellers Rank: #1,392,935 in Books (See Top 100 in Books) #29 in Books > Arts & Photography > Music > Musical Genres > Military Marches #143 in Books > Reference > Writing, Research & Publishing Guides > Publishing & Books > Bibliographies & Indexes > Art & Photography #173 in Books > Reference > Writing, Research & Publishing Guides > Publishing & Books > Bibliographies & Indexes > Music
This author has written extensively about Sousa and his band before. Much of that information is repeated here, but there are some new additions as well. The author has nicely highlighted each aspect of Sousa's career which makes for easy reading.The problem with Sousa is that we tend to exclude all other band composers and their music. There were many other great band composers around including R. B. Hall, Karl King, and Henry Fillmore to name some of the prominent American ones. Their music deserves notice as well, as Sousa often played their works.Sousa's band also tends to be somewhat over-rated by hero worship. Sure it was a great band, probably the best in the US at that time. But it was not the greatest in the world! Too many other European bands were around to deny Sousa that title. Sousa knew that any British Guards band like the Coldstream Guards, Scots Guards etc. was certainly as good. The French Garde Republicanne were also. In Prussia you had William Wieprect who did much to modernize the modern military band. His combined Prussian Guards band got top ratings in Paris during a band festival there just before the Franco-Prussian War. How ironic indeed!So Sousa was not the only around with a great band, and any serious reader should know this. Certainly Sousa did. But what Sousa did was market himself far better than anyone else. He saw that as a civy street guy he could make a lot more fame and money than he was as director of the US Marine band. This was Sousa's main advantage, and he knew how to make the most of it. His conducting style was flamboyant, his programing entertaining and interesting. The whole concept of the encore march after a long piece of music was unique, and introduced excitment to his concerts.
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