Paperback: 384 pages
Publisher: Da Capo Press; 1st Da Capo Press Ed edition (October 2003)
Language: English
ISBN-10: 0306810182
ISBN-13: 978-0306810183
Product Dimensions: 6 x 0.9 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review: 3.0 out of 5 stars See all reviews (6 customer reviews)
Best Sellers Rank: #481,406 in Books (See Top 100 in Books) #31 in Books > Arts & Photography > Music > Musical Genres > Ethnic & International > Salsa #81 in Books > Arts & Photography > Music > Musical Genres > Ethnic & International > International #160 in Books > Arts & Photography > Music > Musical Genres > Ethnic & International > Ethnomusicology
First, I am basing my poor review mainly on the sections on Brazilian music, which are a significant part of this book.Contrary to the Editorial review stating Mr. Morales' "incredible depth of historical and musical knowledge" I found the author's lack of knowledge of some of the more basic elements of Brazilian history and music culture downright ingnorant.As an example of some of the minute details that may seem insignificant, the famous pre-lenten Carnaval celebrations are not "winter" celebrations since the entire southern hemishphere has opposite seasons from North America. In other more significant areas, the migration of laborers from the north was not due to the "failure of northern coffee plantations" as the coffee regions were all part of southern Brazil. A basic reading of any decent history of Brazil, such as Skidmore's "Five Centuries of Change" would have taken care of such innaccuracies.Erroneous uses of traditional instrument names and the reference of samba as "a call to wild, mass movement, an (...) of percussion, not the structured rhythmic base for improvisation that came from the fusions of African rhythms and courtly European dances in Cuba...samba is more like 'chaos in tempo'" reek of the typical non-Latin view from insensitive writers who knew little about Latin American culture. It is surprising that a latino, especially in 2003, would be subscribing to the exoticism that permeated the work of scholars (and non-cholars) from the early 20th century.The author uses no citations, although he does include a rather short bibliography of sources. Perhaps the auhtor should have focused on the music and history of the parts of Latin America that he is more familiar with, rather than attempt to be all-emcompassing at the risk of demonstrating such utter lack of basic historical and musical knowledge of Brazil.
This book attempts to summarize the music of an entire hemisphere over 400 years in less than 400 pages. Naturally, a lot gets brushed over or even not mentioned. The structure is also a bit odd, with some of the more modern artists covered in the middle chapters, before their precursors and influences have been discussed. The book also leans heavily on its coverage of Afro-Cuban music, which deserves to be covered at length, since it is at the root of most Latin music, but comes off as a bit biased considering how other countries get little to no mention. Also strange is the coverage of Latin Jazz which only focuses on Latin musicians that made jazz and ignores non-Latin artists like Kenny Dorham and Charles Mingus that made great contributions to, and helped gain crossover appeal for Latin Jazz. Dizzy Gillespie gets a little more love, but not enough considering everything he did for the genre. But all that aside, if you want a general survey of Latin music, this is a good place to start. It has enough information to whet the palate and provide a launch pad into deeper research. Experts will hate it. Newcomers will find plenty to learn.
This is a good, basic overview of Latin music, heavy on the Cuban/Puerto Rican scenes past and present. It is unfortunately marred by naive, right-wing political comments that fit pretty well into the George Bush I and II's view of Latino realities. But for those 'cumbancheros' who look beyond the politics there is lots of info here. For Cuban music, however, one might be better served by the bargain 'Cuban Music' by Phil Sweeney or by the erudite works by Fernando Ortiz.
The Latin Beat: The Rhythms and Roots of Latin Music, from Bossa Nova to Salsa and Beyond The Brazilian Sound: Samba, Bossa Nova, and the Popular Music of Brazil Bossa Nova: The Story of the Brazilian Music That Seduced the World Antonio Carlos Jobim and the Art of Bossa Nova: Jazz Play-Along Volume 8 Hal Leonard The Bossa Nova Songbook for Piano/Vocal/Guitar PVG The Bossa Nova Songbook Out of Old Nova Scotia Kitchens (A collection of traditional recipes of Nova Scotia and the stories of the people who cooked them) National Rhythms, African Roots: The Deep History of Latin American Popular Dance (Dialogos) (Diálogos Series) Sounding Salsa: Performing Latin Music in New York City (Studies In Latin America & Car) I CAN CAN RELISHES, Salsa, Sauces & Chutney!!: How to make relishes, salsa, sauces, and chutney with quick, easy heirloom recipes from around the ... (I CAN CAN Frugal Living Series) (Volume 3) Salsa!...or "Everything Your Mother Never Told You About Salsa Dancing!" (The Little Book of Dancing) (Volume 1) How to Salsa Dance: A Beginner's Guide to Learning How to Salsa Dance Salsa!: ...or "Everything Your Mother Never Told You About Salsa Dancing!" (The little book of dancing... 1) Salsa Teachers Guide Book (Salsa Instruction 1) Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures (Music/Culture) Salsa Rising: New York Latin Music of the Sixties Generation The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City (Latin America in Translation/en Traducción/em Tradução) Exploring Latin Piano: South-American/Cuban/Spanish Rhythms Intermediate Book/2cds Cuban Fire: The Story of Salsa and Latin Jazz Salsa Crossings: Dancing Latinidad in Los Angeles (Latin America Otherwise)