File Size: 6953 KB
Print Length: 418 pages
Publisher: Anchor; Reprint edition (December 14, 2011)
Publication Date: December 14, 2011
Language: English
ASIN: B006F1YLJY
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
Best Sellers Rank: #351,797 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #14 in Kindle Store > Kindle eBooks > Biographies & Memoirs > Historical > Canada #67 in Books > Politics & Social Sciences > Politics & Government > International & World Politics > Canadian #72 in Kindle Store > Kindle eBooks > Biographies & Memoirs > Historical > Asia
I should start with why I like and recommend this book. Jane Wong tells a fascinating story, and I found this book to be extremely hard to put down. Her descriptions of life in China during the latter part of the cultural revolution, the gradual reopening of the country following Mao's death, and the crackdown at Tiananmen are first rate, emotionally powerful, and give you a sense of what it would have felt like to "be there" during those momentous events in recent Chinese history. I almost didn't read this book because I have read so many other books on China over the past years (in addition to a brief visit and many conversations with Chinese friends) that I didn't think this one would have much to offer. I couldn't have been more wrong. I would rate this book in the top two, along with Steven Mosher's "Broken Earth; The Rural Chinese".My disappointment with the book is due to the remarkable lack of depth in Jane's own spiritual journey. I was surprised to learn that she never really breaks with Mao. In the final scene of the book she is at a celebration of the 100th anniversary of Mao's birth, wearing a Mao button and nostalgically singing the Internationale (she explainst that the communist anthem is still one of her favorite songs). While vacuously deceptive, the book's subtitle "My Long March from Mao to Now" is technically accurate; time did pass, Mao died, and she, like China, has changed. However, "My Long March from Mao to... a Little Less Mao" would be more descriptive.Perhaps because she hasn't rejected Mao, she approaches the many forms of oppression in today's China not as vestiges of the Maoist system, but as creations of the new one. It is as if the opening of the curtains had created the stage, instead of revealing it.
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