Series: Global Music Series
Paperback: 144 pages
Publisher: Oxford University Press; PAP/COM edition (October 2, 2003)
Language: English
ISBN-10: 0195141482
ISBN-13: 978-0195141481
Product Dimensions: 8 x 0.5 x 5.5 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review: 4.0 out of 5 stars See all reviews (2 customer reviews)
Best Sellers Rank: #384,773 in Books (See Top 100 in Books) #62 in Books > Arts & Photography > Music > Musical Genres > Ethnic & International > Ethnic #120 in Books > Arts & Photography > Music > Musical Genres > Ethnic & International > Ethnomusicology #795 in Books > Textbooks > Humanities > Performing Arts > Music
Timothy Rice's MUSIC IN BULGARIA, part of Oxford University Press' "Global Music" series, is a concise introduction to the world of Bulgarian musical life from peasant traditions of centuries past to the pop-folk ("chalga") combination enjoyed by modern urban listeners. Unlike Rice's earlier work on the subject, MAY IT FILL YOUR SOUL: Experiencing Bulgarian Music, this volume assumes no prior study of enthography, but a knowledge of basic music theory is vital to making the most out of it.Rice begins with the wedding music scene, the only survival of village communal music that exists in the lives of average urban Bulgarians. Describing a wedding in Sofia, he gives a portrait of Maria Stoyanova, a player of the gaida (bagpipe) brought with a well-known band for this lavish event. He next describes a Roma wedding in a village, the next place Stoyanova was invited to perform. After this fairly substantial dive into Bulgarian music, Rice gives a more systematic tour, such as the distinctive characteristics of each region's music. The reader will learn how to tell a Shop song from Pirin singing, recognise the several most common traditional instruments, and understand the origin of various kinds of music in the agricultural calendar.The next portion of the book deals with the impact of politics on music, explaining how folk music was sanatized by the Communist government and then exported abroad as world music. "Les Mystere des Voix Bulgares" is the most well-known example. Many American musicians and listeners have been fascinated with the sound of this state-crafted music, whether because of its interesting rhythms, its otherworldly harmonies, or (for a subset of choral fans) because its female voices can be taken as a feminist statement.
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