Paperback: 212 pages
Publisher: Paul Dry Books; 2nd ed. edition (December 1, 2001)
Language: English
ISBN-10: 096796752X
ISBN-13: 978-0967967523
Product Dimensions: 5.4 x 0.6 x 8.5 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review: 4.7 out of 5 stars See all reviews (6 customer reviews)
Best Sellers Rank: #1,085,287 in Books (See Top 100 in Books) #373 in Books > Arts & Photography > Music > Biographies > Jazz #1500 in Books > Arts & Photography > Music > Musical Genres > Jazz #1734 in Books > Biographies & Memoirs > Professionals & Academics > Journalists
Once, jazz was a real and pervasive presence in Boston and in the dim and scruffy clubs of the South End, this American Music-par-excellence thrilled thousands of afficionados, while yet rarely affording its dedicated and colorful creators a living.It was the Twenties and the Jazz Age; it was the Thirties and the age of the Big Bands; it was the wartime Forties, the age of The Savoy on Mass Ave and of Sidney Bechet; it was the baby-boom Fifties and the age of Storeyville in Kenmore Square...There were Big Bands and great ballrooms but there were, as well, many talented smaller bands, playing inspired improvised jazz and struggling to survive as they enthralled more limited audiences in more limited venues.Nat Hentoff eloquently reminisces about a time when the soulful sound of trumpet and clarinet, piano and bass - pained, glorious, yearning, introspective, challenging, alien even - could inadvertently reach out of the smoky, dark, cave-like clubs of Washington and Columbus Avenues, and so mesmerize a young boy that it could change his life.Nat Henhoff blends this tale of a city, its cultural glories and its social sins, with the story of the music, light and dark, somber and witty, pure and besmirched - the faithful mirror of the human soul.He leaves one desolate that - much too soon! - things changed, and he leaves one wondering why Boston let it happen; why the city - host to The Berklee College of Music and the New England Conservatory, the Symphony as well as The Boston Pops - couldn't swiftly rally to support and, in time, to save a once-thriving Jazz community...
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