Series: BBC Radio
Audio CD: 1 pages
Publisher: BBC Books; Unabridged edition (March 3, 2011)
Language: English
ISBN-10: 1408427648
ISBN-13: 978-1408427644
Product Dimensions: 5 x 0.4 x 5.5 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review: 4.4 out of 5 stars See all reviews (163 customer reviews)
Best Sellers Rank: #3,080,993 in Books (See Top 100 in Books) #13 in Books > Books on CD > Authors, A-Z > ( C ) > Chandler, Raymond #606 in Books > Books on CD > Radio Shows #1643 in Books > Humor & Entertainment > Radio > General Broadcasting
Raymond Chander's second novel is both more and less successful than his first. THE BIG SLEEP suffered from a plot that fell apart in midstream; FAREWELL, MY LOVELY, however, is much more consistent throughout. On the other hand, for all its twists and turns, THE BIG SLEEP was quite plausible; FAREWELL, MY LOVELY, however, is about as farfetched as you can get. But once again, such criticisms are almost beside the point: the great attraction is still Chandler's knock-you-flat prose, his tone of voice, his often imitated but seldom equaled style, and it is so powerful that it keeps you turning page after page after page.In general, FAREWELL, MY LOVELY once more finds street-smart and super-savvy California P.I. Philip Marlowe sticking his nose where it has no business being--and when curiosity leads him to follow a massively built white man into a black nightclub he finds himself embroiled in a murder no one cares about solving... at least not until it begins to figure in what seems to be a completely different case with a high-society spin. And encounters with stolen jewels, a spiritualist racket, police corruption, and a gambling ship quickly follow.Along the way Chandler again paints a gritty portrait of the seamy side of life. On this occasion, he takes a passing look at race, and makes the point that from a police point of view two standards apply: the authorities care nothing about the murder of a black man, but they treat a white man's murder very differently indeed.
Raymond Chandler was such a master at his style of prose that you only have to read the first two paragraphs of FAREWELL, MY LOVELY to know exactly what sort of story you're in for. Those two paragraphs perfectly set up the plot that follows: a thriller crossing in and out of the racial divisions of 1940's Los Angeles involving seedy speakeasies, and off-shore gambling, with double-crossing as far as the eye can see. Wonderfully gritty stuff.This particular Chandler novel has a lot going for it. The hero, Philip Marlowe, is as entertaining as ever. The setting is the familiar scene of other Chandler stories -- alive, heavy and oppressively Los Angeles. The plot is logical, but jumps around a lot, which is not necessarily a bad thing. In fact, the more it moves around, the more room Chandler has to incorporate evil-doings; I quite lost track of exactly how many crimes are committed or alluded to during the course of the book. No matter how farfetched it is, Chandler's prose is utterly gripping and absorbing.I think Philip Marlowe must drink his weight in cheap liquor several times over during the course of this adventure, but you can't help but like the guy. He punches, he shoots, he boozes. He even solves the case by the end. He sure takes a beating in this one, but he keeps coming back for more. He's everything a pulp detective should be - angry, arrogant, determined, and with just a hint of pathos to make him interesting enough to carry the story.The book as a whole is just too appealing and entertaining not to be a fun experience. Chandler is pretty much the benchmark for these sorts of stories about guns, police, and corruption, so if you like the genre, you might as well read the man who invented it. Tough guys yelling, "Beat it!
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