Paperback: 224 pages
Publisher: Charisma House; 9.6.2006 edition (July 18, 2006)
Language: English
ISBN-10: 159185993X
ISBN-13: 978-1591859932
Product Dimensions: 6 x 0.6 x 9 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review: 4.8 out of 5 stars See all reviews (273 customer reviews)
Best Sellers Rank: #29,714 in Books (See Top 100 in Books) #11 in Books > Christian Books & Bibles > Churches & Church Leadership > Church Administration #31 in Books > Christian Books & Bibles > Ministry & Evangelism > Missions & Missionary Work #229 in Books > Biographies & Memoirs > Leaders & Notable People > Religious
It has been I while since I read "Bruchko," and my copy of the book is now out on loan, so I might have a few details wrong in what follows (but I am mostly confident in my memory). This is the story of a Bruce Olson, a 19 year old American youth who went, on his own (i.e., with close to zero support from anyone), as a missionary to the Motilone, one of the most feared and least understood Indian tribes in South America. He nearly died several times but in the end seems to have converted the greater part of the tribe to Christianity. He did several things that were quite unusual. Two that stick in my mind were: 1) he and the Indians composed original hymns in their peculiar musical language, which is reported to sound eerie and dissonant -- almost demonic -- to Western ears; and 2) he went to great extremes to use dynamic equivalence in translating the Bible into their language. For example, he completely reversed the metaphor used by Christ in Matt. 7:24-27; in that tribe's culture, only a fool would build his house on a rock, and the obvious wise place to build a house is on *sand.* Architectural references were also modified, as in their culture the box-like rectangular architecture familiar to us is considered ugly; "virtuous" architecture is all round. And so on.As an aside, I'll bet that over time a new translation of the Motilone Bible will come to be needed, one that is more "direct and literal" in its approach and resorting less to "dynamic equivalence." I think they will eventually "outgrow" the one they have. The same may happen with their music; European music certainly evolved after contact with Christianity and there is still plenty more room for change.
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