Paperback: 592 pages
Publisher: Ecco; First Paperback Edition edition (August 27, 2013)
Language: English
ISBN-10: 0061995002
ISBN-13: 978-0061995002
Product Dimensions: 5.3 x 1.3 x 8 inches
Shipping Weight: 15.2 ounces (View shipping rates and policies)
Average Customer Review: 4.4 out of 5 stars See all reviews (241 customer reviews)
Best Sellers Rank: #46,741 in Books (See Top 100 in Books) #4 in Books > Biographies & Memoirs > Regional Canada #14 in Books > Arts & Photography > Music > Musical Genres > Folk & Traditional #20 in Books > Arts & Photography > Music > Biographies > Country & Folk
It was in the winter of 1969, June to be precise, and it was refreshingly cool for a change. An interlude. Seven days away from the war, and I am not speaking of the one between the sexes. As would happen so often in subsequent years, the lyrics rolled around in my brain, as I stood on the shore of Sydney harbor: "...and the sun poured down like honey, on our lady of the harbor." The sun indeed felt like honey in the coolness... and there was so much more, just in that one song: that eternal aspiration for someone who liked his physics: "...and she gets you on her wavelength, and makes the river answer, that you have always been her lover..." `Lo these many years later, and thanks to the truly excellent biography by Sylvie Simmons that I finally learned that the harbor was Montreal, and the China that had been (relatively) so near to me, for the past ten months, the origin of those famous teas and oranges that Suzanne so graciously provided, had a local market run by some folks equally far from home, in that most beautiful of Canadian cities. Sure, the version that I loved was sung by Judy Collins, but I had tucked away in one of those cranial recesses, that the man who had provided a bit of peace, tranquility, inspiration, and even a bit of hope was Leonard Cohen.Cohen actively collaborated with Simmons in this impressive work. Typical of the ever so self-deprecating Cohen, he just wanted to make sure it was not a "hagiography," and it is not, and is all the stronger for it. It is a fitting tribute to him, and proved to be an essential read. There were so many missing pieces between the lyrics, and so much background for them, and Simmons provides much, but is content to leave some ambiguity on the table, just as Leonard would have.
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