Series: Isherwood, Christopher Diaries
Hardcover: 1104 pages
Publisher: HarperCollins (January 29, 1997)
Language: English
ISBN-10: 0061180009
ISBN-13: 978-0061180002
Product Dimensions: 9.6 x 6.7 x 2.4 inches
Shipping Weight: 3.4 pounds
Average Customer Review: 3.5 out of 5 stars See all reviews (11 customer reviews)
Best Sellers Rank: #1,013,512 in Books (See Top 100 in Books) #91 in Books > Biographies & Memoirs > Specific Groups > LGBT > Gay #1819 in Books > Politics & Social Sciences > Social Sciences > Specific Demographics > Gay & Lesbian #2335 in Books > Gay & Lesbian > Nonfiction
First of all, these diaries are beautifully and ably edited by Katherine Bucknell, providing a fascinating introduction of over fifty pages. In addition to the journals themselves, Bucknell delivers an Isherwood chronology, glossary, and index at the end. She divides the journal into three parts:The Emigration, January 19,1939–December 31, 1944;The Postwar Years, January 1, 1945–April 13, 1956;and The Late Fifties, April 14, 1956–August 26, 1960.The voice of Isherwood evolves from that of a solid mid-career writer to that of an “emeritus professor,” beginning his senior years with as many projects as he can handle.I’ve always felt a certain affinity for writer Christopher Isherwood (born in Wyberslegh Hall, High Lane, Cheshire, England) 1904-1986, for a number of reasons. Largely because he is one of the first important writers of his generation to write fiction with gay characters—with gay love lives, as if it is a normal situation—I’ve looked to his writing for a certain guidance. Through his well-traveled life he demonstrates a certain brand of courage. He never seems to hide who he is from the world at large—even Hitler’s Gestapo as he lives in Berlin during his twenties. He doesn’t marry a woman as cover, as many of his colleagues and friends do. He openly loves and shares a domestic life in a major way with at least two men, three, if you count one relationship that is rather ill-fated. The latter one, his partnership with artist Don Bachardy, thirty years his junior, endures from 1953 until Isherwood’s death in 1986.I also feel close to Isherwood because of the career he chooses, one that is rather skin-of-your-teeth at times. He writes the projects he wants to, not the ones that necessarily earn him the most money.
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