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The Magic Flute (Die Zauberflote) In Full Score (Dover Music Scores)
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"…it is the evident quiet approbation which best pleases me! It is apparent that this opera is rising rapidly and steadily in estimation." — Mozart, letter to his wife, October 7-8, 1791.Unfortunately, his tragic death a scant two months later prevented Mozart from ever realizing the full accuracy of this observation, made a few performances after the cool reception given The Magic Flute at its Viennese premiere.In May 1791, Mozart's friend Emanuel Schikaneder commissioned The Magic Flute. In keeping with the popular level of this theater, Schikaneder himself supplied Mozart with the libretto about the rescue of a good fairy's daughter from a wicked magician by a hero armed with a magic flute. After a good deal of the music was written, the composer and librettist — both Freemasons — grafted Masonic ideals onto the plot, transforming a simple fairy tale into a moralistic allegory and a Singspiel into one of the world's greatest operas.This handsome, moderately priced volume, reprinted directly form an authoritative edition, will enable musicians, music students, and opera lovers to gain a fuller appreciation of Mozart's mastery of operatic language, orchestral color, and dramatic expression. A helpful feature of this edition is the inclusion of all spoken dialog, usually abbreviated in other editions.

Series: Dover Music Scores

Paperback: 226 pages

Publisher: Dover Publications (January 1, 1985)

Language: English

ISBN-10: 048624783X

ISBN-13: 978-0486247830

Product Dimensions: 9 x 0.5 x 12 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review: 4.7 out of 5 stars  See all reviews (38 customer reviews)

Best Sellers Rank: #187,781 in Books (See Top 100 in Books) #28 in Books > Humor & Entertainment > Sheet Music & Scores > Forms & Genres > Ballet & Dance #31 in Books > Humor & Entertainment > Sheet Music & Scores > Composers > Mozart #35 in Books > Humor & Entertainment > Sheet Music & Scores > Historical Period > Classical

The Magic Flute (Die Zauberflute in German) was Mozart's final opera. It was his favorite and undoubtedly his greatest achievement. When he was in his deathbed, it was said that Mozart requested to hear the score to the Magic Flute one last time. Mozart was a Freemason, although he had been raised as a Catholic and enjoyed sponsorship by the Archbishop of Salzburg for some time. His conversion; into what was a religious and philosophical organization that praised the Englightenment and mystic Egyptian/Zoroastrian beliefs, effected and influenced his musical composition. He had already written music for a Masonic Funeral and Freemasonry deeply influenced the Requiem in D Minor.This recording is out of print in cd form and was probably an LP in the 70's. In 1972, Walter Sawallisch, the Bavarian State Orchestra and the talents of Peter Schreir (Tamino), Annelise Rothenberger (Pamina), Walter Berry (Papageno), Kurt Moll (Sarastro) and Edda Moser (The Queen of the Night) put together what is the definitive, the greatest, the most perfect, the one and only Magic Flute. If you've heard the rest, now try the best. Contrary to the negative comments of the other reviewers, the Black Dog Opera Library has done an excellent job of making this opera accessible, a book full of great illustrations and liner notes on the singers, Mozart and his era. Yes, the Magic Flute has been unjustly considered and theatrically treated as a children's opera, a fairy tale with no real substance, a great work sugar coated into something like Broadway musical or cartoon.

The Black Dog Opera Library Series had outdone themselves once again. In this 1972 recording of Mozart's last opera, we are treated to a fine performance by fine singers, a fully illustrated book with liner notes and commentary, as well as information useful in biographies on the composer and his time. Mozart was close to his death bed at the time he composed The Magid Flute. He made an opera that could be enjoyed at many levels. At one level, it is a comic, brilliant fairy tale for children, at another level, it is deeply symbolic and layed with Masonic ideals of universal brotherhood and love. Mozart and his librettist were both Freemasons, a religous "sect" that was under hot water in 18th century Vienna for its pagan origins and its advocation of ideas of the Enlightenment. The story is about Tamino, a prince who is lost in a strange land (originally, a mystic Egypt), who is rescued from a serpent by three mysterious women and promised the hand of the daughter of the Queen of the Night if he saves her from the wizard Sarastro. Together with the help of the comic bird-catcher, Papageno, he sets out on his adventure. But halfway through the opera, he discovers that he has been deceived. The Queen of the Night is the true villain and Sarastro is really a holy man. After many trials, the forces of evil are defeated and the opera ends blissfully with a victory.Musically and dramatically, it is Mozart's greatest opera. From the striking Overture to the use of dark strings, trumpet and soaring flute passages, the individual arias which express intense emotions to the neverending theme that good triumphs over evil, the Magic Flute stands out as a great opera to begin with for newcomers and a favorite for old time opera fans.

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