Hardcover: 480 pages
Publisher: St. Martin's Press (June 14, 2016)
Language: English
ISBN-10: 1250049717
ISBN-13: 978-1250049711
Product Dimensions: 6.5 x 1.5 x 9.7 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review: 4.3 out of 5 stars See all reviews (21 customer reviews)
Best Sellers Rank: #91,328 in Books (See Top 100 in Books) #6 in Books > Travel > Asia > China > Shanghai #31 in Books > Biographies & Memoirs > Historical > Asia > China #123 in Books > History > Asia > China
“Shanghai Grand” is a history of a short period of time in Shanghai, China, as experienced by the American journalist and writer Emily “Mickey” Hahn and the big personalities who were close to her, while she lived in China from 1935 to 1943. Taras Grescoe’s history actually spans 1932 to 1949, when Chairman Mao’s communists took control of the city, but the focus is on the last years of the city’s heyday and the experiences of its residents during World War II. Shanghai’s Municipal Council was a unique form of government in human history –unique even among China’s Treaty Ports- and the mix of Western Colonial, Chinese, Japanese inhabitants and visa-free entry made the city an extraordinary dynamic cultural mélange between the Wars.There are more comprehensive histories of Shanghai in the interwar years, my favorite being Harriet Sergeant’s now out-of-print “Shanghai: Collision Point of Cultures, 1918-1939”, but “Shanghai Grand” combines the experiences of a few Shanghailanders, some of whom have written their own memoirs, to create a picture of life in the city for adventurers, business magnates, and Chinese intellectuals. Specifically, Grescoe focuses on the intrepid Miss Hahn, who traveled to every corner of the globe and wrote 52 books and 181 articles for The New Yorker alone in her lifetime. While in Shanghai, she wrote for the North-China Daily News, taught school, became an opium addict, and had a Chinese lover, the Western-educated poet and publisher Zau Sinmay (Shao Xunmei).The inclusion of Zau Sinmay’s story, to the extent that it is known, in “Shanghai Grand” distinguishes the book from the many Western memoirs of the era.
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