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Emma: An Unabridged Reading By Jenny Agutter
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Emma Woodhouse is one of Austen's most captivating and vivid characters. Beautiful, spoiled, vain, and irrepressibly witty, Emma organizes the lives of the inhabitants of her sleepy little village, but her attempts at matchmaking lead to misunderstandings and potential heartbreak. Only her friend and neighbor Mr. Knightley dares to point out the mistakes she is making and encourages her to change her ways. Considered by many to be the best English novel, Emma is at once a charming love story, a detective story, and a comic and lively portrait of English life two hundred years ago. Emma is now a major BBC television series starring Romola Garai, Jonny Lee Miller, and Michael Gambon. Jenny Agutter reads Jane Austen’s classic novel, complete and unabridged.

Audio CD: 12 pages

Publisher: AudioGO Ltd.; Unabridged edition (October 12, 2010)

Language: English

ISBN-10: 1408427168

ISBN-13: 978-1408427163

Product Dimensions: 5.7 x 5 x 2 inches

Shipping Weight: 15.5 ounces

Average Customer Review: 4.5 out of 5 stars  See all reviews (4,306 customer reviews)

Best Sellers Rank: #3,730,350 in Books (See Top 100 in Books) #45 in Books > Books on CD > Authors, A-Z > ( A ) > Austen, Jane #1282 in Books > Books on CD > Literature & Fiction > Classics #11857 in Books > Books on CD > Literature & Fiction > Unabridged

One of the versions listed is published by "General Books LLC." Another reader complained about the tiny and almost unreadable font - you probably bought the version published by General Books LLC - and here's the reason.General Books LLC is an imprint of VDM Publishing, (google them and take a look at the Wikipedia article on them) and they specialise in publishing books that are free of copyright without doing any editing or quality control. A few quotes from the publishers website will explain more:"We created your book using OCR software that includes an automated spell check. Our OCR software is 99 percent accurate if the book is in good condition. However, with up to 3,500 characters per page, even one percent can be an annoying number of typos....After we re-typeset and designed your book, the page numbers change so the old index and table of contents no longer work. Therefore, we usually remove them. Since many of our books only sell a couple of copies, manually creating a new index and table of contents could add more than a hundred dollars to the cover price....Our OCR software can't distinguish between an illustration and a smudge or library stamp so it ignores everything except type. We would really like to manually scan and add the illustrations. But many of our books only sell a couple of copies....We created your book using a robot who turned and photographed each page. Our robot is 99 percent accurate. But sometimes two pages stick together. And sometimes a page may even be missing from our copy of the book. We would really like to manually scan each page and buy multiple copies of each original. But many of our books only sell a couple of copies.....

Just when I thought I had more editions of PRIDE AND PREJUDICE than I should ever own up to, I will freely admit to just one more. After all, what Janeite could resist this tempting package? An unabridged first edition text; Annotations by an Austen scholar; Color illustrations; Over-sized coffee table format; Extensive introduction; And, supplemental material - all pulled together in a beautifully designed interior and stunning cover. *swoon* Where are my aromatic vinegars?This new annotated edition appeals to modern readers on many levels beyond being a pretty package of a beloved classic. Austen is renowned for her witty dialogue and finely drawn characters, but not for her elaborate physical descriptions or historical context. When PRIDE AND PREJUDICE was originally published in 1813, this brevity was accessible to her contemporary readers who assumed the inferences, but after close to two hundred years words have changed their meaning, insinuations and subtle asides have become fuzzy, and cultural differences from Regency to twenty-first century are worlds apart. Anyone can read PRIDE AND PREJUDICE and follow the narrative, but it is so much more enjoyable if you can read it on an expanded level understanding it in social, cultural and historical context. Editor Patricia Meyer Spacks has not only added extensive notes on plot, characters, events, history, culture and critical analysis from a vast array of Austen and literary scholars, but added her own personal insights and observations from years of reading Austen and her experience as a college professor. From shoe roses to Fordyces Sermons to military floggings to the 19th-century meaning of condescension, readers will be informed and enlightened on every aspect related to the novel, the author and her times.

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