Paperback: 288 pages
Publisher: Backbeat Books; Pap/Com edition (1998)
Language: English
ISBN-10: 0879305525
ISBN-13: 978-0879305529
Product Dimensions: 6 x 0.7 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review: 4.4 out of 5 stars See all reviews (14 customer reviews)
Best Sellers Rank: #669,408 in Books (See Top 100 in Books) #180 in Books > Arts & Photography > Music > Musical Genres > Soul #280 in Books > Arts & Photography > Music > Musical Genres > Blues #529 in Books > Arts & Photography > Music > Songbooks > Jazz
Gayle Dean Wardlow has compiled this excellent collection from many of his articles and essays of first-hand research, orignally written for monthly publications such as 78 Quarterly and Blues Unlimited.In the early 1960's, collectors like himself had just started to introduce this fabulous music (Afro-American country blues) to a wider audience. The book specifies that as Wardlow was growing up in Mississippi, he admired the music of country singer Roy Acuff; as a result, he began to collect "race-music" country blues 78's only for the purpose of trading them for other country and hillbilly 78's. His job as an exterminator at the time, allowed him to canvas the neighbourhoods in Mississippi where he was working for rare blues and country records.Not surprisingly, his interest in country blues records that had been issued in the 20's and 30's, was heightened considerably as he began to trade with other collectors. Wardlow was able to interview many friends, relatives, and aquaintances of some of the early blues greats like Charley Patton, Son House, Willie Brown, Bukka White, Tommy Johnson, and of course, Robert Johnson.While these artists are certainly the better known ones, the author drills deep into the history of the blues and finds out much about some of the lesser known, but no less interesting ones like, King Solomon Hill (Joe Holmes), Garfield Akers, the Huff Brothers, and Blind Joe Reynolds to name a few.Along the way, Wardlow also managed to locate and interview H.C. Speir, the guy who discovered many of the artists, acted as their agent, and got them into a recording studio.
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