Paperback: 104 pages
Publisher: www.fundamental-changes.com (December 12, 2015)
Language: English
ISBN-10: 1910403334
ISBN-13: 978-1910403334
Product Dimensions: 8.5 x 0.2 x 11 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review: 4.7 out of 5 stars See all reviews (24 customer reviews)
Best Sellers Rank: #59,331 in Books (See Top 100 in Books) #12 in Books > Arts & Photography > Music > Musical Genres > Blues #110 in Books > Humor & Entertainment > Sheet Music & Scores > Forms & Genres > Popular #126 in Books > Arts & Photography > Music > Instruments > Guitar
I have several books on learning Finger-style acoustic guitar. This is by far the best of them.First: It begins with simple exercises to master the most challenging part of finger--style-->The independent thumb.The author understands that this is an unnatural style for many players and that it takes time to get the thumb playing bass lines independent of the melody line being played with the fingers The exercises begin very simply, but progress steadily and do become more challenging. The author is very good about providing encouragement with each exercise as well as suggestions on how to build speed and fluidity with the piece.Second: In Part 2 of the book, the author introduces complete finger style pieces using the steady bass thumb along with increasingly complex melody lines. Mastering these pieces really give you a feel for how finger-style is played. By the time you finish the book (which may be many, many months) you will have a good handle on playing acoustic finger style guitar and that opens up a vast range of song material.Highly recommend the book, but realize it is a longer term commitment to building playing skills.UPDATE: After working with this book for about six weeks, I still think it is the best of the lot. The audio files of slides and hammer-on/pull-off illustrates some very nice sounds that can be produced once you understand the technique.The only thing I feel may be missing are fingering suggestions for some of the more challenging exercises. For example: one exercise requires a hammer-on of the 3rd to 4th fret on the 3rd string followed by a hammer on of the 3rd to 5th fret on the 2nd string. Finally, the first string is fretted at the 5th and 3rd. It is okay in quarter notes, but it is played in 8th notes.
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