File Size: 944 KB
Print Length: 240 pages
Publisher: Open Road Media; New Ed edition (June 10, 2014)
Publication Date: June 10, 2014
Language: English
ASIN: B00KGMIY78
Text-to-Speech: Enabled
X-Ray: Enabled
Word Wise: Enabled
Lending: Not Enabled
Enhanced Typesetting: Enabled
Best Sellers Rank: #14,197 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #14 in Books > Biographies & Memoirs > Historical > Europe > Great Britain #19 in Kindle Store > Kindle eBooks > History > Europe > England #19 in Kindle Store > Kindle eBooks > Biographies & Memoirs > Arts & Literature > Authors
CIDER WITH ROSIE has two things going for it, what it tells and how it tells it. Author Laurie Lee (1914 - 1997) wrote this memoir of his childhood in a rural English village in 1959, restoring to memory something ancient that had been lost, how villages used to get on before progress intervened. His family moved to tiny Slad, in Gloucestershire, in the Cotswolds region, when he was three. It was a large family--four older half-siblings, plus Lee and his three siblings--and their mother. Their father essentially abandoned the family there in a crumbling old house that flooded with every rain, though he occasionally sent support. Like all the villagers, the Lee clan lived without plumbing or electricity or motor vehicles, in a social structure that reached back, he says at one point, to the Stone Age. The family was poor, but it survived rather happily, and Lee enjoyed a full range of delights, from boyhood roughhousing to church outings, all at the eight miles per hour pace of a horse drawn vehicle. The village unit was a balanced one, one that absorbed eccentricities and the occasional crime, with a way of life made purposeful under the watchful eye of the church and the local Squire. Just as Lee comes of age, it changes dramatically, with the arrival of cars, the death of the Squire, the slipping grip of the church on its parishioners, and, in the family, the loss of the older sisters to marriage.Lee documents all of this in language that captures the child's worldview and wonder. The first chapter is a three-year-old's kaleidoscopic impressions of his environment, which grow more sharply into focus as Lee ages. It is very immediate, and it is as if the village as it was had never entered the twentieth century. Lee writes lyrically, but also honestly.
When I opened the email last month, it was clear I’d missed out. According to ’s Daily Deal blurb Laurie Lee’s Cider With Rosie was “an instant classic when it was first published in 1959 [and] one of the most endearing and evocative portraits of youth in all of literature”. Now because I worked for several years in a book store, I’m at Cider With Rosieleast familiar with many more titles and authors than I’ve read. So one would think I’d at least heard of this Laurie Lee who “learned to look at life with a painter’s eye and a poet’s heart—qualities of vision that, decades later, would make him one of England’s most cherished authors”.Of course, I had to remedy this oversight, so one-click order I did and was soon settled into a memoir of one of England’s beloved sons I hadn’t even known existed. But after the first chapter, I admit I didn’t know if it was love or hate.Three-year-old Laurie sits on the floor of his new home amidst the chaos of moving a family of seven into a new cottage in the village of Slad. Little Laurie was surrounded by “glass fishes, china dogs, shepherds and shepherdesses, bronze horsemen, stopped clocks, barometers, and photographs of bearded men”. His sisters and mother bustle in and out of the house; his brothers help unload the handcart. Lee’s prose was over-rich, I thought—awash in adjectives and adverbs; drowning in lists. I almost put the memoir aside.But after another chapter, Lee grew on me. His rich narrative seemed to mirror the lush countryside and the hub-bub that was his home. I settled into those lists and that descriptive prose.
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