Series: Dover Music Scores
Paperback: 512 pages
Publisher: Dover Publications; Reprint edition (January 14, 1992)
Language: English
ISBN-10: 0486268888
ISBN-13: 978-0486268880
Product Dimensions: 9 x 1 x 11.9 inches
Shipping Weight: 3.1 pounds (View shipping rates and policies)
Average Customer Review: 3.6 out of 5 stars See all reviews (13 customer reviews)
Best Sellers Rank: #222,772 in Books (See Top 100 in Books) #3 in Books > Humor & Entertainment > Sheet Music & Scores > Composers > Mahler #23 in Books > Humor & Entertainment > Sheet Music & Scores > Forms & Genres > Symphonies #29 in Books > Arts & Photography > Music > Musical Genres > Classical > Chamber Music
Dover isn't your best buy if you're looking for Mahler orchestral scores. This is absolutely true of the Seventh Symphony, which Dover reprinted from the original pressing, with its several hundred errors. This pair of reprints isn't nearly so bad. The score of the Fifth is good: there are one or two misprints, but nothing really crucial. The Sixth however is another story. Dover reprints the first edition of the score ~ which is useful ONLY if you're interested in the history of this score, & then you will supplement it. Mahler subsequently issued a second edition, which was replaced by a third edition, both within months of the first edition. The third edition is the one that has been played & recorded from 1906 through the early 1960s, when the awful critical edition was released, & the critical edition is essentially the third edition without the transposition of the two inner movements.What are the differences between the first & the third editions? Mahler rescored the work so that there are differences of scoring on almost every page: to take one example, the final chord of the first movement in the first edition uses a bass drum & cymbals. These are gone in the third edition. Between the first & the third editions, Mahler reversed the order of the two middle movements, deleted the third hammer blow, & altered the performance instructions on every other page. As just one example of the last, at cue 80 in the Scherzo, where the Scherzo section is repeated for the last time, in the first edition Mahler doesn't instruct the performer to return to the original tempo of the Scherzo (in fact, there's no tempo instruction at all), so that if one is going to perform this as it stands in the score, one reprises the scherzo at the slow tempo of the section before.
Symphonies Nos. 1, 2, 3 and 4 in Full Score (Dover Music Scores) Symphonies Nos. 5, 6 and 7 in Full Score (Dover Music Scores) Symphonies Nos. 1 and 2 in Full Score (Dover Music Scores) Symphonies Nos. 3 and 4 in Full Score (Dover Music Scores) Symphonies Nos. 1, 2 and 3 in Full Score (Dover Music Scores) Symphonies Nos. 4 and 7 in Full Score (Dover Music Scores) Symphonies Nos. 3, 4 and 5 in Full Score (Dover Music Scores) Symphonies Nos. 5 and 6 in Full Score (Dover Music Scores) Symphonies Nos. 1-21 in Full Score (Dover Music Scores) Symphonies Nos. 40 & 41 (Dover Miniature Music Scores) Symphonies Nos. 8 & 9 (Dover Miniature Music Scores) Four Symphonies in Full Score (Dover Music Scores) Gustav Mahler: Symphonies Nos. 1 and 2 in Full Score Antonin Dvorak Symphonies Nos. 8 and 9, New World, in Full Score London Symphonies : Nos. 99-104 in Full Score Beethoven Symphonies Nos. 1-5 Transcribed for Solo Piano (Dover Music for Piano) Enigma Variations and Pomp and Circumstance Marches in Full Score (Dover Music Scores) Romeo and Juliet Overture and Capriccio Italien in Full Score (Dover Music Scores) Songs of a Wayfarer and Kindertotenlieder in Full Score (Dover Music Scores) Fantasia on a Theme by Thomas Tallis and Other Works for Orchestra in Full Score (Dover Music Scores)