Hardcover: 326 pages
Publisher: Oxford University Press; 1 edition (May 19, 2000)
Language: English
ISBN-10: 0195127773
ISBN-13: 978-0195127775
Product Dimensions: 6.2 x 1.5 x 9.1 inches
Shipping Weight: 1.4 pounds
Average Customer Review: 4.9 out of 5 stars See all reviews (7 customer reviews)
Best Sellers Rank: #1,591,102 in Books (See Top 100 in Books) #61 in Books > Arts & Photography > Performing Arts > Dance > Tango #165 in Books > Arts & Photography > Music > Musical Genres > Dance #3195 in Books > Textbooks > Humanities > Performing Arts > Music
Astor Piazzolla's music is nothing if not controversial. Among the Argentines themselves, there seems to be two opinions. One was voiced to me some years ago by an Argentine tanguera whose artistic views I always listen to, when she said that "Tango is tango, and Piazzolla is not!" The other is stated just as militantly in favor of Piazzolla's efforts. Wildly so.Piazzolla died in 1992. But the debate still rages, and there's little middle ground. The reason for it is that Piazzolla remade the Argentine tango in ways that had never been imagined possible before him. He's one of those composers who takes a regional musical impulse and refashions it into a new statement of world-wide interest. Controversial he is, to be sure. But with the possible exception of the legendary singer Carlos Gardel, no one has expanded the consciousness of the world more with regard to the tango than Astor Piazzolla.Le Grand Tango is the first complete biography of Piazzolla. Born in Buenos Aires in 1921, he spent eleven years of his childhood in New York City, in the East Village. Radio interviews with him reveal that he spoke fluent English with a Lower East Side accent. Even as a child, Astor's talent on the bandoneón, the large concertina-like instrument that is considered by most to be the soul of the tango, was noted. But he was not playing the tango at that time. The boy preferred classical music and jazz, Bach and Gershwin. His father Vicente, a barber and woodworker, pushed Astor to make himself into a true tango musician. But it was only when, at the age of thirteen, Astor met and was befriended by Carlos Gardel himself, that he began his serious studies in the tango.
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