Paperback: 512 pages
Publisher: Soft Skull Press; Reprint edition (March 20, 2012)
Language: English
ISBN-10: 1593764073
ISBN-13: 978-1593764074
Product Dimensions: 1.8 x 6 x 9 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review: 4.3 out of 5 stars See all reviews (11 customer reviews)
Best Sellers Rank: #452,144 in Books (See Top 100 in Books) #38 in Books > Arts & Photography > Music > Musical Genres > Dance #85 in Books > Arts & Photography > Music > Theory, Composition & Performance > MIDI, Mixers, etc. #942 in Books > Textbooks > Humanities > Performing Arts > Music
Simon Reynolds is a British music journalist (born in 1963) who has covered several different genres of popular music, but experiences in clubs, raves and with the drug Ecstasy have made a powerful impact on his life. ENERGY FLASH is a voluminous survey of electronic dance music (EDM) and the culture (style, drugs) surrounding it since its start in the 1980s. The first edition of the book (titled GENERATION ECSTASY in the United States) appeared in 1998, but a second edition describes later developments up to 2007.While Reynolds focuses mainly on the British scene, there is ample coverage of US developments. Besides starting his history with the Detroit techno and Chicago house movements without which the UK would have never had acid house and everything after, Reynolds also dedicates an entire chapter to US raves, highlighting the very different vibe there compared to Europe. The German scene is also covered, but in considerably less detail than the UK or US.Through each evolution in EDM (acid house, hardcore, IDM, jungle, trance, progressive, etc.), Reynolds mentions iconic tracks of the era. Take, for instance, this bit on "Voodoo Ray" by A Guy Called Gerald:"With its undulant groove and dense percussive foliage, its glassy, gem-faceted bass-pulse and tropical bird synth-chatter, `Voodoo Ray' looks ahead to the polyrhythmic luxuriance of Gerald's mid-nineties forays into jungle, as do the tremulous whimpers and giggles of the blissed-out female vocal."When the first edition of this book was published in the 1990s, readers must have felt somewhat frustrated by these vague verbal descriptions, which don't really impart what the track really sounds like.
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