Paperback: 848 pages
Publisher: Vintage; Reprint edition (November 11, 2008)
Language: English
ISBN-10: 0375704728
ISBN-13: 978-0375704727
Product Dimensions: 6.1 x 1.7 x 9.2 inches
Shipping Weight: 2.3 pounds (View shipping rates and policies)
Average Customer Review: 4.5 out of 5 stars See all reviews (33 customer reviews)
Best Sellers Rank: #668,988 in Books (See Top 100 in Books) #131 in Books > Biographies & Memoirs > Arts & Literature > Dancers #198 in Books > Arts & Photography > Performing Arts > Dance > Classical #5934 in Books > Biographies & Memoirs > Arts & Literature > Actors & Entertainers
Rudolf Nureyev, flamboyant dancer with the Kirov Ballet of Leningrad (St. Petersburg), began life on a train to the Eastern Russian front. He was the son of Tatar parents from a remote part of the Soviet Union. His father was a soldier who was rarely home. The family was extremely poor and often hungry, but his mother managed to sneak them into a performance of a ballet when Rudolf was five. He was determined from that time on to learn to dance and perform on the stage. He had the talent, determination and perseverance to succeed.Julie Kavanagh has documented the life of this dancing man in this encyclopedic volume. She includes information about Nureyev's early training in his hometown, Ufa, his extensive training with mentor Pushkin and Pushkin's wife, Xenia in St. Petersburg. She details his defection to the West in Paris that read like a spy novel - complete with KGB operatives.Nureyev passion for dance and for learning propels him to work with choreographers from the Paris Opera Ballet to West Side Story. Kavanagh includes titillating factoids about Nureyev's personal life - hobnobbing with the rich and famous, his womanizing, his homosexual lifestyle, and his final battle with HIV/AIDS. She also talks about his dancing.Nureyev is first and foremost a ballet dancer and she documents his transition from the formal classical ballet style to the avant-garde modern dance styles he helped to create.This tome, and it is a tome of nearly 700 pages without counting the extensive footnotes, acknowledgements and index, is an extensive account of a fascinating person. It is quite readable, with the caveat that there are multitudinous Russian names, ballet terminologies, and musical references. These kept me reading somewhat slower than usual.
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