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Things I've Been Silent About: Memories Of A Prodigal Daughter
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In this stunning personal story of growing up in Iran, Azar Nafisi shares her memories of living in thrall to a powerful and complex mother against the backdrop of a country’s political revolution. A girl’s pain over family secrets, a young woman’s discovery of the power of sensuality in literature, the price a family pays for freedom in a country beset by upheaval—these and other threads are woven together in this beautiful memoir as a gifted storyteller once again transforms the way we see the world and “reminds us of why we read in the first place” (Newsday).

Paperback: 368 pages

Publisher: Random House Trade Paperbacks; Reprint edition (March 2, 2010)

Language: English

ISBN-10: 0812973909

ISBN-13: 978-0812973907

Product Dimensions: 5.2 x 0.8 x 8 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review: 4.1 out of 5 stars  See all reviews (56 customer reviews)

Best Sellers Rank: #517,302 in Books (See Top 100 in Books) #117 in Books > Religion & Spirituality > Islam > Women in Islam #304 in Books > Biographies & Memoirs > Professionals & Academics > Educators #4319 in Books > Politics & Social Sciences > Social Sciences > Gender Studies

I really enjoyed "Reading Lolita in Tehran," and was excited that she has written another book. I have been reading about the Middle Eastern cultures and couldn't wait to read Nafisi's book ... but I must confess, I am slightly disappointed with it. Oh, don't get me wrong as it is chock-full of politics, history and everything that could spark my interest in learning more about Iran. But I wasn't counting on this book to be of a love-hate relationship she has with her mother. That overshadowed everything I wanted to learn about Iran as that issue dragged on throughout the entire book ... and frankly, by the time I was finished with this book, I was really glad to be done with it. I love memoirs but this one really dragged.It starts off strong ... with Nafisi describing her childhood in Tehran, visiting the chocolate, the toy and the book shops with her mother. It sounded like paradise; the descriptions were beautiful and lyrical that I could "see" in my imagination of what it must have been like for Nafisi as a young child. Then the battles with her mother intensified and carried on throughout the entire book (about 314 pages of it) and it got really tiresome. Her mother was emotionally abandoned by her father when she was a young child and though she lived in his house, her half-siblings were favored over her. She married young and when her husband died, she never got over it even after marrying Nafisi's father. She claimed to be a dancer though no one has ever seen her dance. The stories pile up and Nafisi spent years trying to get from under her mother's oppressive shadow. Nafisi went overseas to school, married young and finished school before divorcing her first husband. Headstrong, Nafisi grew into the woman that we first meet in her book, "Reading Lolita in Tehran.

Azar Nafisi, who will be best-known for the runaway success of her last book, Reading Lolita in Tehran: A Memoir in Books has produced that marvel, a flawless, crisply-written and meaningful memoir that more than accomplishes her stated goal, that of telling the recounting "those fragile intersections -- the places where moments in an individual's private life and personality resonate with and reflect a larger, more universal story."Nafisi is born into the Teheran of the 1940s and 50s, a world in which women such as her mother can receive an education and run for Parliament -- even as her father, a former mayor of Teheran, is imprisoned for unknown reasons and confined for years to a cell. But Nafisi, educated in Europe and the United States, where she joins the student movement of the 1960s and 1970s and becomes a vociferous opponent of the Shah's regime, returns to Iran after the revolution only to discovery the existence of a new kind of "black" totalitarianism -- clerical rule by Ayatollah Khomeini and his successors. It is against the backdrop of the dramatic events of these times -- coups, revolutions, civil war and war -- that Nafisi tells deeply personal stories of her life and those of her parents, two deeply incompatible people who damaged each other and, in their different ways, damaged their daughter.

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