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In Alberta, Canada, an eminent paleontologist disappears from a dinosaur dig site, and at the Cambridge Forensic Center, Kay Scarpetta receives a grisly communication that gives her a dreadful reason to suspect this may become her next case. Then, with shocking speed, events begin to unfold. A body recovered from Boston Harbor reveals bizarre trace evidence hinting of a link to other unsolved cases that seem to have nothing in common. Who is behind all this? And whom can Scarpetta trust? Her lead investigator, Pete Marino, and FBI agent husband, Benton Wesley, are both unhappy with her because of personnel changes at the CFC, and her niece Lucy has become even more secretive than usual. Scarpetta fears she just may be on her own this time--against an enormously powerful and cunning enemy who seems impossible to defeat. --This text refers to the Hardcover edition.

Audio CD

Publisher: AudioGo

Language: English

ISBN-10: 1445849518

ISBN-13: 978-1445849515

Product Dimensions: 5.4 x 0.9 x 5.7 inches

Shipping Weight: 8.5 ounces

Average Customer Review: 3.8 out of 5 stars  See all reviews (2,107 customer reviews)

Best Sellers Rank: #9,863,166 in Books (See Top 100 in Books) #73 in Books > Books on CD > Authors, A-Z > ( C ) > Cornwell, Patricia #132482 in Books > Mystery, Thriller & Suspense > Thrillers & Suspense > Suspense

What can I say about Scarpetta number twenty? I didn't dislike the book, but in my opinion, Cornwell has yet to produce a follow-up book that is in anyway comparable to the quality of her first six to eight books. This review does contain a few mild spoilers!Before I air my complaints, I will give credit where credit is due. Bone Bed reintroduces readers to the Kay Scarpetta they met in Virginia. For the first time in I don't know how many books, Scarpetta is back in her diving gear and working the crime scenes like she used too. That is the one thing I really appreciated about this book. Kay is sharp. I had forgotten what an impressive investigator she could be. As she goes through a crime scene, very little escapes her attention. Her intelligence, ambition, and compassion are magnetic. I can't speak for everyone, but that is the character that captured my attention and held my interest in 90s.With that said, I found her supporting characters highly annoying and redundant. Marino and Benton are still stuck in a downward spiral of regret and resentment. I know that real life issues (you know, your average faked death and attempted rape) don't go away over night, but I think Cornwell has taken it to a level that is entirely unnecessary. I for one, am very tired of hearing the sad song that refuses to end. Benton played dead; Mario got drunk and tried to play hooky. Naturally, these flaws in character will keep the two of them from being best friends and undoubtably leave some skeletons in the closet, but Cornwell has strung it out to the degree that she has allowed it to monopolize the chemistry that made the characters so captivating in the beginning.Another issue I had with this book is that I felt like I had read it already.

Cornwell's Scarpetta books have always had their flaws, like Kay's enemies never getting their comeuppance, and Kay's addiction to being betrayed and the world champion victim even as she is supposed to be so awesome smart and powerful. Other annoyances are continual buildups to climaxes that never happen, for example Marino threatening to stroke out over every little thing, and Lucy's non-stop drama over nothing (geez Lucy is obnoxious), and characters and subplots that get introduced, are a big deal, and then are dropped and never resolved. But the complex plots, good action, and complex trails of clues were enjoyable and interesting. Then along about "Point of Origin" the Scarpetta series slid off the rails and never made it back. Benton Wesley died, but then miraculously came back in "Blow Fly." But in the interim anything that was halfway interesting about him was lost, and he became a stiff wooden bore.In "Blow Fly" Cornwell changed from writing in the first-person from Scarpetta's viewpoint to a weird present-tense third person. It's a rambling shapeless stream-of-consciousness, and "Blow Fly" is the last Scarpetta book I read to the end. I've tried every one since, and they all lose me in the first few chapters."Bone Bed" is billed as a comeback, a return to the old Scarpetta, Cornwell getting back on track. Nah. Don't think so. It's back to first-person Kay, but it's still rambling stream-of-consciousness. It starts out with Kay working alone in her sleek new office, and she's all agitated and freaked out because it sounds like someone is prowling in the building, and nobody else is supposed to be there. So does she get up and look? No, she just sits and frets. Then Lucy comes in, and Kay freaks out some more.

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