Series: Kay Scarpetta Series
Audio CD
Publisher: Books on Tape; Unabridged edition (January 10, 2001)
Language: English
ISBN-10: 0736661778
ISBN-13: 978-0736661775
Product Dimensions: 6.7 x 4 x 1.5 inches
Shipping Weight: 8.8 ounces
Average Customer Review: 3.3 out of 5 stars See all reviews (521 customer reviews)
Best Sellers Rank: #4,848,005 in Books (See Top 100 in Books) #54 in Books > Books on CD > Authors, A-Z > ( C ) > Cornwell, Patricia #9303 in Books > Books on CD > Mystery & Thrillers #47873 in Books > Mystery, Thriller & Suspense > Mystery > Women Sleuths
By the time I had read The Last Precinct, I had already seen Patricia Cornwell give several interviews about it, so I had a certain expectation about what kind of book this would be. For the most part, her descriptions were accurate, which is unfortunate.From the beginning, this is a completely different Kay Scarpetta than we've read about before. Cornwell claimed in her interviews that this could be a stand-alone book, that it wasn't necessary to read the previous books to understand this one, but I disagree strongly. It literally picks up where the last one left off, and if you didn't read Black Notice, chances are you won't have a clue what's going on. There are half-hearted attempts to bring the reader up to speed on the various characters, but they seem forced and uncomfortable.The storyline is much the same as in previous books, despite Cornwell's assertion that this is the first time we see Kay in professional jeopardy. There's a bad guy, Kay gets personally involved, Lucy goes off on some weird tangent, Kay's professional judgement is called into question..the bare bones of this story are the same as the others. What bothered me most about this book was the extremely sudden and startling change in the way we see Kay, and through her, all the other characters. She suddenly analyzes every thought, every emotion; we see all of the characters in a new light, and it is almost without exception, unflattering. Suddenly we are literally forced to consider Kay's sexual orientation, Marino's weird attraction to her; even the deceased Benton is re-examined and somehow comes off looking the worse for it.Cornwell said in the interviews I saw that she doesn't model Kay after herself, but there are several aspects of this book that almost feel voyeuristic.
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