Free Medieval Illuminators And Their Methods Of Work Ebooks To Download
Who were the medieval illuminators and how were their hand-produced books illustrated and decorated? In this book, Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the 16th century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centres for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the 11th century, lay scribes and illuminators became increasingly numerous and by the 13th century professional illuminators dominated the field. During this later period, illuminators travelled in search of work, joined guilds and included nuns and secular women among their ranks. Work was regularly collaborative and the craft was learned through an apprenticeship system. Alexander analyzes surviving manuscripts and medieval treatises in order to explain the technical processes of illumination - its materials, methods, tools, choice of illustration and execution. The book is illustrated with examples chosen from religious and secular manuscripts made all over Europe.
Hardcover: 222 pages
Publisher: Yale University Press; First edition (December 23, 1992)
Language: English
ISBN-10: 0300056893
ISBN-13: 978-0300056891
Product Dimensions: 1 x 9 x 11.5 inches
Shipping Weight: 1.1 pounds
Average Customer Review: 4.3 out of 5 stars See all reviews (6 customer reviews)
Best Sellers Rank: #1,545,782 in Books (See Top 100 in Books) #53 in Books > Arts & Photography > Other Media > Illuminations #534 in Books > Arts & Photography > Other Media > Calligraphy #15067 in Books > Arts & Photography > History & Criticism > History
whether you are interested in the typical lives, education, training, as well as social status of the people whose work became immortal or in the techniques and tools used to create the magnificent pages.. this is a well written and interesting read. beautiful photographs of works in various levels of completion, numerous countries, schools and eras combined with well researched documentation and critiques makes this book an excellent resource. focusing mainly on the creation of illumination and explaining the lives of those creating the page, covering multiple aspects of training, techniques and changing social status throughout the decades leads to an overall thorough understanding. you will walk away not only being able to understand the illuminated page, its signifigance and constructuion but also those who toiled to creatre it. whether an art history lover, in love with the illuminated page or interested in the lives of people who lived centuries ago this book is a wonderful addition to you personal library. i wish my art history books were this well written.
This book introduces the reader to the people and processes involved in the production of manuscripts, and is interesting as a resource for methods of book production as much as it is for the insight it gives into the lives of the very real people whose efforts and whose lives went into the production of books by hand. With more than enough information to interest the scholar, this book is at the same time extremely accesible to the average reader interested in the subject. I would reccomend this as a textbook and as a good read, but would suggest that a reader have a good guide, such as Michelle Brown's Understanding Illuminated Manuscripts on hand, in order to best understand every facet of the material being presented. The book is clear and well-written, but a deeper understanding of the finished product adds greatly to the value of reading about their creators. This is a book I am proud to have on my bookshelf, for its readability, its attractiveness, and its value as a source for interesting historical information.
Medieval Illuminators has been invaluable to my own studies and construction of illuminated manuscripts. The author presents a timeline of the history of illuminated manuscripts, their layout, methods of construction and their purpose, couched within a socio-cultural context of the eras in which the manuscripts were constructed. I found the large reproductions of key manuscripts extremely helpful in identifying the minute brush strokes of the white work, which is often difficult to discern in smaller reproductions. The enlargements also provided lovely details of designs and images that are not easily observed in non-enlarged reproductions. Lastly, I appreciated the author's discussion of the monastic book lending tradition for the purposes of copying manuscripts to expand a library's holdings on a particular subject and the inclusion of illustrations to demonstrate this practice. This is a must have for anyone pursuing the study of this literary and artistic tradition.
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