File Size: 13529 KB
Print Length: 120 pages
Publisher: Hal Leonard (November 1, 1993)
Publication Date: November 1, 1993
Language: English
ASIN: B004G5YWEU
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Not Enabled
Lending: Not Enabled
Enhanced Typesetting: Not Enabled
Best Sellers Rank: #990,641 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #206 in Kindle Store > Kindle eBooks > Nonfiction > Science > Physics > Acoustics & Sound #303 in Books > Arts & Photography > Music > Theory, Composition & Performance > MIDI, Mixers, etc. #536 in Kindle Store > Kindle eBooks > Engineering & Transportation > Engineering > Electrical & Electronics > Electronics
As the title of this book implies, it is about the role of guitar amplifiers in creating the unique signature sounds that many people instantly associate with various bands and guitarists they've heard over the years. While many musicians and the public tend to focus on the guitar itself in providing a unique sound, amps easily account for half or more of the sound quality and tonality of a performance. This book includes a good technical description of how guitar amps work, what makes them different from other types of amplifiers, and a worthwhile discussion of vintage tube amp tone versus the reissue models now being marketed by various manufacturers. It also has a useful troubleshooting section for dealing with various symptoms of an ailing amp. Perhaps the most interesting part of the book is on the human nature side, providing excellent thumbnail sketches of the various companies and personalities that were involved in pioneering amplifier innovations, such as Jim Marshall and the legendary Leo Fender. The book also deals with the histories and/or products of other companies (including Vox, Ampeg, MESA/Boogie, Roland, Gibson and others), and has lots of photographs and reproductions of old advertising fliers. My only complaint about the book is that it misses the opportunity to give at least a little bit of technical specifications for the amps that are discussed and pictured. As just one example, on page 21 there is a photograph of a Fender Tweed Deluxe that was taken in Tuscon with the caption: "This cinder-block wall art surrounding Tucson's biggest meat packing plant seemed like the logical place to shoot this amp. Musta been the heat.
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