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Funny, It Doesn't Sound Jewish: How Yiddish Songs And Synagogue Melodies Influenced Tin Pan Alley, Broadway, And Hollywood (SUNY Series In Modern Jewish Literature And Culture)
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In Funny, It Doesn t Sound Jewish, Jack Gottlieb chronicles how Jewish songwriters and composers transformed the popular music of mid-twentieth-century America. Although many critics, historians, and musicians have alluded to the Jewish influence on American popular song, this is the first book ever to support such assertions with comprehensive musical examples. Drawing on a variety of historical and archival sources, as well as his own experiences as a composer of synagogue, popular, and concert music, Gottlieb carefully and compellingly documents how a minority culture infused a majority culture, enriched it, and still retained its own identity. He does this with the support of a companion CD that includes previously unrecorded songs as well as some surprising rarities performed by the likes of Judy Garland, Billie Holiday, and Leonard Bernstein."

Series: SUNY Series in Modern Jewish Literature and Culture

Hardcover: 306 pages

Publisher: State University of New York Press (July 9, 2004)

Language: English

ISBN-10: 0844411302

ISBN-13: 978-0844411309

Product Dimensions: 9 x 0.9 x 11.8 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)

Best Sellers Rank: #1,159,711 in Books (See Top 100 in Books) #55 in Books > Arts & Photography > Music > Musical Genres > Religious & Sacred Music > Jewish #258 in Books > Arts & Photography > Music > Musical Genres > Ethnic & International > Ethnic #1166 in Books > Politics & Social Sciences > Social Sciences > Library & Information Science > General

If you share my growing concern at the musical cross-over tendencies in synagogue songs and how "un-Jewish" much of today's Jewish music sounds, you'll find a charming antidote in Dr. Jack Gottlieb's new and original coffee table book: Funny, It Doesn't Sound Jewish. Gottlieb's earnest musical detective comparisons and analyses invite us into joyfully playing the "sounds like" game. After we chuckle in consternation, at the Yiddish or liturgical roots of a pop song's pedigree, we marvel at the truism that there seems to be "nothing new under the sun"; especially under the show biz music lights.Gottlieb loves to make puns and burst bubbles. This effervescently entertaining study is filled with anecdotes, song sheet covers, musical illustrations, photos of composers and performers, and even an accompanying Audio CD to bring home his astute assertions.Some of my favorites include: Did you realize that -George Gershwin's It Ain't Necessarity So is kin to the Torah blessing Barachu Et Adoshem Ham'vorach?The Torah cantillation for Merchaw R'via inspired both Bach's Oh Sacred Head Now Wounded and Paul Simon's American Tune?Rozhinkes Mit Mandlin prompted Irving Berlin's Blue Skies.... and my all time favoriteI Am A Gay Caballero, I'm back again from Janeiro is both Y'hei sh'mei rabah m'vorach from the Kaddish and Ashrei yoshvei veitecha od y'hall'lucha selahAre you curious to follow Gottlieb's unearthing of more of these amusing affinities? There are dozens of other examples, some more apparent than others, but all will cause you to "aha!" pause, smile, and, most importantly, think about what we consider immutable Jewish traditional melodies.Dr.

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