Series: Peabody Museum
Hardcover: 296 pages
Publisher: Peabody Museum Press (March 31, 2010)
Language: English
ISBN-10: 0873658590
ISBN-13: 978-0873658591
Product Dimensions: 9.9 x 1.1 x 12 inches
Shipping Weight: 4.4 pounds (View shipping rates and policies)
Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
Best Sellers Rank: #2,372,807 in Books (See Top 100 in Books) #15 in Books > Arts & Photography > Music > Musical Genres > Religious & Sacred Music > Muslim #614 in Books > Arts & Photography > Architecture > Buildings > Religious Buildings #956 in Books > Religion & Spirituality > Islam > Sufism
In the 1960s, the author Samina Quraeshi recalls, religious tolerance was the norm in Pakistan, with Sufi spirit permeating the region. Her Muslim family had Christian, Hindu, Zoroastrian, and Jewish friends, and she even went to a Catholic missionary school. As we all know, conservative zealots are on the rise around North Africa and the Middle East, and Sufi shrines and Christian churches have been destroyed, along with the great Buddha monuments in Afghanistan. Thus, she had returned to her homeland to document by photography, personal encounters, and historic lore about Sufi saints before Sufism is suppressed or forced into low profile, as had occurred in Turkey last century. In this effort, she enlisted three academic experts to contribute chapters on Sufism and Islam in South Asia (Ali S. Asani and Carl W. Ernst) and on the architecture of Sufi shrines (Kamil Khan Mumtaz). This last essay was especially interesting, as while plans of a cube and dome with intermediate octogons, based on proportions and geometry, may be approved, construction is actually more an organic process than a mechanical assembly, filled with serendipitous modifications and adjustments. The simple exteriors of brick are found inside to be geometric wonders of wood, paint, and tile and calligraphic design.This handsome book grew out of an exhibit at the Peabody Museum of Harvard University. Color photographs of towns, streets, shrines, and portraits of people taken mainly by Quraeshi fill the pages, which is appropriate as the bright, solid colors of clothing and decoration, the reds and blues with green and black and turquoise, dazzle the eye. Other images are illustrations from ancient books. The reader can attain some feeling of Pakistan's architecture and its peoples.
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