Series: Music in American Life
Paperback: 176 pages
Publisher: University of Illinois Press; 1st Edition edition (September 20, 2012)
Language: English
ISBN-10: 0252078640
ISBN-13: 978-0252078644
Product Dimensions: 6 x 0.6 x 9 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review: 4.8 out of 5 stars See all reviews (22 customer reviews)
Best Sellers Rank: #1,200,540 in Books (See Top 100 in Books) #14 in Books > Arts & Photography > Music > Musical Genres > Bluegrass #590 in Books > Arts & Photography > Music > Biographies > Country & Folk #682 in Books > Arts & Photography > Music > Musical Genres > Country
As a general rule, I can't say I care for memoirs. They are the least dependable of all historical writings in terms of chronology and objectivity--and yet, they're often vitally important historical records if for no other reason simply as the representation of an individual's own "take" on what he or she experienced. And with the help of some friends, tape recorders, and editors, "Uncle Josh" Graves created a gem of a memoir. I could wish perhaps that the legendary dobroist's interviewers had prompted him more about specifics in an effort to gete him to explain himself further and more clearly at various points, but as it is, this book is perhaps the best "insider's" history of Lester Flatt, Earl Scruggs, and the Foggy Mountain Boys that we are likely to see. For what it's worth, the aspects of the narrative that touched me the most personally were Graves' recollections of how incredibly petty and tightfisted that both Lester Flatt and Bill Monroe could be (he characterizes Earl Scruggs, heartwarmingly, as a fairer, and scrupulously honest, man). Uncle Josh even recalled a time, after Lester Flatt had fired him for getting too much studio work in addition to his band duties, that he had to threaten Flatt with a lawsuit for telling an audience that he (Graves) had died. (And karma proved to be a lulu, too; though Graves does not mention this particular followup incident, Flatt had to make exactly the same threat to Esquire Magazine, for referring to him in a 1974 article as "the late Lester Flatt.") But there is perhaps something to be said for Monroe's and Flatt's quirks: their bitternesses, pettinesses, and miserliness actually, I think, reveal their rural roots all the more. Raised up from "the hardest" to a position of fame and importance...
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