Series: Studies in Dance History
Paperback: 288 pages
Publisher: University of Wisconsin Press; 1 edition (December 30, 2015)
Language: English
ISBN-10: 0299305945
ISBN-13: 978-0299305949
Product Dimensions: 6 x 0.9 x 9 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)
Best Sellers Rank: #898,308 in Books (See Top 100 in Books) #17 in Books > Arts & Photography > Performing Arts > Dance > Notation #46 in Books > Arts & Photography > Performing Arts > Dance > Choreography #261 in Books > Arts & Photography > Performing Arts > Dance > Classical
This book is a tremendous overview of and deep dive into dramaturgy, in particular how it relates to contemporary choreography. Profeta uses her own extensive experience collaborating with the acclaimed Ralph Lemon to talk through the history of dramaturgy and the role of the dramaturg in service of the work (as research source, living memory, sounding board, creative prompt). Much of the writing is drawn from Profeta's project journals, and that material is grounded in a scholarly literature review. I've been thinking about "kinesthetic empathy" and "target culture" and so many other topics continuously since I read it. And despite the focus on dance, the book's applications are widespread. (I came to it primarily interested in sound, and in sound's role in other fields such as dance, but also film, among other areas.) At its heart, Profeta's book can be thought of as being about the art of collaboration (both one-on-one, and in groups), about the roles we play, the roles we swap, and the work that goes into a successful partnership.
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