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Dramaturgy In Motion: At Work On Dance And Movement Performance (Studies In Dance History)
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Dramaturgy in Motion innovatively examines the work of the dramaturg in contemporary dance and movement performance. Katherine Profeta, a working dramaturg for more than fifteen years, shifts the focus from asking “Who is the dramaturg?” to “What does the dramaturg think about?”             Profeta explores five arenas for the dramaturg’s attention—text and language, research, audience, movement, and interculturalism. Drawing on her extended collaboration with choreographer and visual artist Ralph Lemon, she grounds her thinking in actual rehearsal-room examples and situates practice within theoretical discourse about contemporary dramaturgy. Moving between theory and practice, word and movement, question and answer until these distinctions blur, she develops the foundational concept of dramaturgical labor as a quality of motion.             Dramaturgy in Motion will be invaluable to practitioners and scholars interested in the processes of creating contemporary dance and movement performance—particularly artists wondering what it might be like to collaborate with a dramaturg and dramaturgs wondering what it might be like to collaborate on movement performance. The book will also appeal to those intrigued by the work of Lemon and his collaborators, to which Profeta turns repeatedly to unfold the thorny questions and rich benefits of dramaturgical labor.

Series: Studies in Dance History

Paperback: 288 pages

Publisher: University of Wisconsin Press; 1 edition (December 30, 2015)

Language: English

ISBN-10: 0299305945

ISBN-13: 978-0299305949

Product Dimensions: 6 x 0.9 x 9 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)

Best Sellers Rank: #898,308 in Books (See Top 100 in Books) #17 in Books > Arts & Photography > Performing Arts > Dance > Notation #46 in Books > Arts & Photography > Performing Arts > Dance > Choreography #261 in Books > Arts & Photography > Performing Arts > Dance > Classical

This book is a tremendous overview of and deep dive into dramaturgy, in particular how it relates to contemporary choreography. Profeta uses her own extensive experience collaborating with the acclaimed Ralph Lemon to talk through the history of dramaturgy and the role of the dramaturg in service of the work (as research source, living memory, sounding board, creative prompt). Much of the writing is drawn from Profeta's project journals, and that material is grounded in a scholarly literature review. I've been thinking about "kinesthetic empathy" and "target culture" and so many other topics continuously since I read it. And despite the focus on dance, the book's applications are widespread. (I came to it primarily interested in sound, and in sound's role in other fields such as dance, but also film, among other areas.) At its heart, Profeta's book can be thought of as being about the art of collaboration (both one-on-one, and in groups), about the roles we play, the roles we swap, and the work that goes into a successful partnership.

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