Series: Music/Culture
Paperback: 352 pages
Publisher: Wesleyan; annotated edition edition (April 30, 2007)
Language: English
ISBN-10: 0819565725
ISBN-13: 978-0819565723
Product Dimensions: 6.2 x 1 x 9 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review: 4.4 out of 5 stars See all reviews (11 customer reviews)
Best Sellers Rank: #926,127 in Books (See Top 100 in Books) #50 in Books > Arts & Photography > Music > Musical Genres > Reggae #1292 in Books > Humor & Entertainment > Sheet Music & Scores > Forms & Genres > Lieder & Art Songs #2621 in Books > Humor & Entertainment > Sheet Music & Scores > Forms & Genres > Popular
A book like this is long overdue. The simple fact that it was published makes it good. Of the two most important strains of contemporary black music, hip-hop has generated thousands of books and articles, but dub has been largely ignored by the ethno-musicological world.Dub - Soundscapes And Shattered Songs In Jamaican Reggae by Yale ethnomusicologist Michael E. Veal, is a scholarly work, but don't let that scare you. I know some of you might dislike the book because of its somewhat academic tone, scoff at many of its themes and find them pretentious, but I strongly disagree. This is a terrific analysis. Prof. Veal examines dub in a variety of contexts not only as an expression of Afro-Caribbean culture and the Jamaican music business but as an art form and creative process comparable to just about every modern, futurist and post-modern movement from dada and surrealism to conceptual art, from Luigi Russolo and John Cage to its influence on hip-hop and worldwide dance-pop culture.It's not all dry, academic stuff. The man knows, and more importantly, loves his dub music. First, Prof. Veal shows us his dub credentials by going into detail about Jamaican music. But instead of the more familiar reggae legends about impoverished young ghetto singers and gun-toting producers, Veal's emphasis here is on recording studios, audio equipment, and the engineers themselves. After all, dub mixed at the various studios sounded the way it did because of the improvised, often homemade technology the early reggae engineers used. Syd Bucknor, Sylvan Morris, Graeme Goodall and Byron Smith are all mentioned, moving on to Tubby, Errol ET Thompson at Randy's, Channel One etc. There's a lot of interesting information about how JA studios developed during the late 60s and 70s.
Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music/Culture) Reggae Soundsystem 45: The Label Art of Reggae Singles: A Visual History of Jamaican Reggae 1959-1979 Reggae Soundsystem: Original Reggae Album Cover Art: A Visual History of Jamaican Music From Mento to Dancehall The Ultimate Guide to Great Reggae: The Complete Story of Reggae Told Through Its Greatest Songs, Famous and Forgotten (Popular Music History) Our Favorite Jamaican Recipes: Three Jamaican Daughters Remember Their Mothers' Cooking Reggae: The Story of Jamaican Music Reggae Wisdom: Proverbs in Jamaican Music Reggae Routes: The Story of Jamaican Music Roots Rock Reggae: The Oral History of Reggae Music from Ska to Dancehall Reggae Music: The Official Guide to Reggae Soundscapes: Exploring Music in a Changing World (Second Edition) Soundscapes: Exploring Music in a Changing World, 2nd Edition Soundscapes: Exploring Music in a Changing World (Third Edition) Pleasures of the Caribbean (MusicCooks: Recipe Cards/Music CD), Caribbean Recipes, Reggae and Calypso Music (Sharon O'Connor's Musiccooks) This Is Reggae Music: The Story of Jamaica's Music Cee Dub's Dutch Oven and Other Camp Cookin' More Cee Dub's Dutch Oven and Other Camp Cookin' The Musical Wheels on the Bus (Rub a Dub Tub Musical Books) Remixology: Tracing the Dub Diaspora (Reaktion Books - Reverb) Black Ark in Dub