Paperback: 408 pages
Publisher: Focal Press; 3 edition (September 25, 2014)
Language: English
ISBN-10: 0240818962
ISBN-13: 978-0240818962
Product Dimensions: 1 x 10 x 8 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review: 4.6 out of 5 stars See all reviews (19 customer reviews)
Best Sellers Rank: #29,434 in Books (See Top 100 in Books) #7 in Books > Engineering & Transportation > Engineering > Civil & Environmental > Acoustics #7 in Books > Science & Math > Physics > Acoustics & Sound #12 in Books > Arts & Photography > Music > Recording & Sound
I received a free item to review.Katz’s ‘greatest hit’ as an author is no-doubt his conception of ‘The Loudness Wars’ - what must have felt like a personal crusade at times to restore headroom, breadth, depth, and clarity to recordings in the face of an industry charging blindly over a cliff of extreme compression, lossy reduction, and pointless volume in the name of me-too-ism - as the author stood athwart a mountain of recording history and common sense yelling ‘Stop!’.There’s always been something of a generational divide in opinion concerning production values and esthetics. But it would be a mistake for younger readers to prejudge ‘Mastering Audio’ as some dinosaur manifesto on how to replicate the vibe of Sinatra’s 1950’s Capitol recordings (although you could do a lot worse for trying).That ‘art and the science’ in the subtitle is well-chosen. ‘Mastering Audio’ is both extremely technical and extremely ‘ear-oriented’ (or to use Katz’s term for his chapter on listening exercises, ‘earientation’).The exercises do not have corresponding audio files – Katz treats readers as aspiring professionals who have access to recordings and can take his instructions and tailor them to particular interests (i.e. ‘compare an mp3 version of a CD with the original recording – practice until you can identify the differences’). What you get out of formulating your own exercise will be so much more lasting than quickly listening to someone’s A/B examples.There’s not much hand-holding tutorial in ‘Mastering Audio’ – at least in the sense of ‘step-by-step-press-this-then-that’. Yet I would hesitate to call the book ‘advanced’ or only for experienced engineers – and I think Katz would agree.
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