Free Music And The Power Of Sound: The Influence Of Tuning And Interval On Consciousness Ebooks To Download

                
              
Free 
Music And The Power Of Sound: The Influence Of Tuning And Interval On Consciousness Ebooks To Download
Music has always been esteemed for its power to speak directly to our higher consciousness, a power founded in the purity of simple harmonic ratios. In this book, Alain Danielou traces the development of musical scales and tuning from their origins in both China and India, through their merging in ancient Greece, and on to the development of the Western traditions of modal and polyphonic music. Understanding these potent harmonic relationships offers a way for today's musicians to transcend the limitations of overly rationalistic music by drawing on its metaphysical roots.
File Size: 3719 KB
Print Length: 192 pages
Publisher: Inner Traditions; Rep Sub edition (August 1, 1995)
Publication Date: September 10, 2012
Sold by:  Digital Services LLC
Language: English
ASIN: B0098O8YIY
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Best Sellers Rank: #431,015 Paid in Kindle Store (See Top 100 Paid in Kindle Store)   #5 in Kindle Store > Kindle eBooks > Arts & Photography > Music > Musical Genres > New Age   #52 in Books > Arts & Photography > Music > Musical Genres > New Age   #132 in Kindle Store > Kindle eBooks > Arts & Photography > Music > Theory, Composition & Performance > Theory
Alain Daniélou is known first of all for his musical semantics based not on notes but on intervals, hence not on punctual sounds but on the articulation of one note onto another to form an interval and then on the articulation of intervals one upon another. In this book of articles and studies brought together, some of them being unpublished before, he used his approach to further some other ideas.The basic principle is that an interval is the ratio produced by the frequencies of the two notes that define that interval. He tested and identified the psycho-mental effects of these intervals on listeners and connected them to three numerical elements appearing in such ratios (basically 2, 3 and 5).But he further brings into his approach an important inspiration from the old Sanskrit approach of music. We have to note here he assumes that this Vedic tradition is the oldest human musical tradition, is the basic and sole because only possible musical approach, and it has been kept in later Hinduist music. We can see here he is totally unaware of the fact that Sumerian music is at least one thousand if not one and a half thousand years older.Vedic music is not the original form of music. He also forgets that Hinduism is an old approach in India and he does not consider at all the Buddhist approach. All his symbolism with an ever present God as a creator would have to be challenged in the Buddhist understanding that there is no god and the world is not seen as created. Yet his symbolic approach that brings together musical notes, geometrical shapes, colors, animals, planets, basic elements, etc., ... and gods, is interesting if we let the divine elements out of a modern assimilation.
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