Paperback: 328 pages
Publisher: Routledge; 1 edition (December 18, 2003)
Language: English
ISBN-10: 0415965756
ISBN-13: 978-0415965750
Product Dimensions: 6 x 0.7 x 9 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review: 3.0 out of 5 stars See all reviews (3 customer reviews)
Best Sellers Rank: #1,526,499 in Books (See Top 100 in Books) #161 in Books > Arts & Photography > Performing Arts > Dance > Modern #321 in Books > Biographies & Memoirs > Arts & Literature > Dancers #124429 in Books > Humor & Entertainment
I read this as part of mfa (dance) research and was surprised by it in several ways.As someone else noted, it's very repetitive and doesn't need to be 300 pages. For example, Copeland writes over and over again about the aesthetics of cool indifference, but that point was clearly made in the introduction. Another issue is how biased it is. I love Cunningham's work but it has its artistic problems. Instead of actually spelling out the details of arguments about those problems, however, Copeland simplifies any criticism and then concludes that the critics just don't get it. For example, Cunningham was a control freak who set up rigorous systems for chance decisions. But as Steve Paxton pointed out, if Cunningham REALLY was into change as a way of taking himself out of the decision making process, then his movement vocabularies (and dance aesthetics) would change from piece to piece. Instead of really digging into the issue of rigorous control and chance and the consistency of Cunningham's aesthetic, Copeland just emphasizes again and again how impersonal and freeing Cunningham's methods and work can be. But it isn't that simple.Copeland similarly quickly dismisses any approach to dance movement that is anti-intellectual in nature by going back to early modern-dance's emphasis on emotions and the unconscious. But that's just not the complete story; why should we believe that there are only two options: "cool intellectualism" or "hot emotionalism"? Again, Copeland simplifies not only by presenting only two options but also by basing them in Cunningham's early career (e.g. as a reaction to Graham). But Cunningham's career spanned decades and many approaches to dance movement arose that go beyond that facile dichotomy.
Merce Cunningham: The Modernizing of Modern Dance The Dancer and the Dance: Merce Cunningham in conversation with Jacqueline Lesschaeve Merce Cunningham: Fifty Years Merce Cunningham: Dancing in Space and Time Merce Cunningham: Dancing in Space and Time : Essays 1944-1992 Concord Cunningham the Scripture Sleuth (Concord Cunningham Mysteries (Paperback)) Cunningham's Encyclopedia of Crystal, Gem & Metal Magic (Cunningham's Encyclopedia Series) Jazz Dance and Jazz Gymnastics, Including Disco Dancing. Ed and Adapted by Liz Williamson. Tr from the German by Dale S. Cunningham. Tr of Von Der jaz How to Dance: Learn How to Line Dance, Belly Dance, Ice Dance and More Modern Dance Terminology: The ABC's of Modern Dance as Defined by Its Originators Chance and Circumstance: Twenty Years with Cage and Cunningham African Dance Trends (Dance and Fitness Trends) (Dance & Fitness Trends) Dance and Music: A Guide to Dance Accompaniment for Musicians and Dance Teachers Foxtrot: Learn To Dance The Foxtrot In No Time (Dance Acceleration Learn To Dance Book 1) The Square Dance and Contra Dance Handbook: Calls, Dance Movements, Music, Glossary, Bibliography, Discography, and Directories The Dance Fairies Boxed Set (7 Books) (Rainbow Magic, #1: Bethany the Ballet Fairy; #2: Jade the Disco Fairy; #3: Rebecca the Rock 'n' Roll Fairy; #4: Tasha the Tap Dance Fairy; #5: Jessica the Jazz Fairy; #6: Serena the Salsa Fairy; #7: Isabelle the Ice Dance Fairy) Tap Dancing (Dance, Dance, Dance) Modern Dance, Negro Dance: Race in Motion Dance Anecdotes: Stories from the Worlds of Ballet, Broadway, the Ballroom, and Modern Dance Beginning Modern Dance (Interactive Dance)