Hardcover: 272 pages
Publisher: PublicAffairs; Softcover edition (March 4, 2008)
Language: English
ISBN-10: 1586483706
ISBN-13: 978-1586483708
Product Dimensions: 8.6 x 5.7 x 1 inches
Shipping Weight: 14.4 ounces
Average Customer Review: 4.4 out of 5 stars See all reviews (28 customer reviews)
Best Sellers Rank: #1,580,138 in Books (See Top 100 in Books) #60 in Books > Arts & Photography > Performing Arts > Dance > Tango #124 in Books > Arts & Photography > Performing Arts > Dance > Folk #204 in Books > History > Americas > South America > Argentina
Books and blogs by women about their tango experiences/epiphanies in Buenos Aires proliferate yearly. (OK, so I'm one of those women.)It's refreshing to read a story about a foreigner in Buenos Aires written by a man. Sure, we've had the cheap and disgusting Kiss and Tango by Marina Palmer, and the interesting pre-crisis Bad Times in Buenos Aires by Miranda France, among many others, but now we have something entirely different: Brian Winter's Long After Midnight at the Nino Bien; a Yanqui's Missteps in Argentina.Not a memoir, but rather a well-written attempt to make 21st century readers understand the why-and-wherefores of the Buenos Aires of today. It's not an excuse for the author to delve into his emotional past, or to write about sexual encounters, nor does he do any reflection--the main aspect of a memoir. It's an impressionistic travelogue with fantasy characters--think Wizard of Oz or Star Wars set in South America with lots of illuminating and witty historical citations.Young Mr. Winter (a recent college grad who floats to Argentina hoping to find a job) also writes about his experience as a tango dancer wannabe. He relates preposterous scenes with fictitious milongueros, but I believe these scenes, while accurately conveying feelings and emotions if not truths, are not from his experience but from research and imagination. He is a fantastic researcher, as well as a hell of a writer. And he's funny, too!He wanted to write an essay about Buenos Aires, and how then could he leave out tango, even if he knew nothing and cared less about it? His Mafia round table of wise old milongueros allow for exposition and stories about Argentina's history, the influence of the gauchos, the corruption of the politicians, the legacy of Peron and Evita.
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