Hardcover: 448 pages
Publisher: Boydell Press (October 16, 2015)
Language: English
ISBN-10: 1843837269
ISBN-13: 978-1843837268
Product Dimensions: 6.6 x 1.2 x 9.6 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review: 5.0 out of 5 stars See all reviews (3 customer reviews)
Best Sellers Rank: #709,818 in Books (See Top 100 in Books) #133 in Books > Arts & Photography > Music > Musical Genres > Ethnic & International > International #263 in Books > Arts & Photography > Music > Musical Genres > Ethnic & International > Ethnomusicology
Designed for the musically literate, this representational survey of sophisticated classical world music (jazz included) has 15 chapters written by expert American and European ethnomusicologists, but it is far from the usual arid academic textbook. Indeed, the editor Michael Church ensured a standard structure and stylistic approach. Moreover, his introduction is strikingly lucid yet rich, wide-ranging, and profound in insights. The evolutional onslaught of Western scales and tuning, instruments, and homogenizing fusion with its influences of African, Latin, and Asian music bring world classical music in peril toward being museum relics. A quick thumb-through will evidence the excellent selection of illustrative photographs, both historical and contemporary. The chapters, minimally, have sections on national and regional history, musical forms and influences, instrumentation, performance and social applications, modes and rhythms, and contemporary status, with recommended readings and discography. The detailed book is highly useful and a joy, even for this well-versed and experienced world music aficionada.First up is Southeast Asia, with emphasis on Thailand and its ensemble form, fixed compositions, oral transmission, and instrumentation of xylophone metallophones, drum percussion, reed flute, and fiddle, and use of seven core pitches. Vietnam is differentiated by its Chinese and later French musical influence, its modes and improvisations, and also solo or chamber approach. Lutes, zither, transverse flute, and monochord are also distinctive, though Chinese parallels are obvious.
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