Series: New York Review Books Classics
Paperback: 488 pages
Publisher: NYRB Classics; Revised ed. edition (January 31, 2000)
Language: English
ISBN-10: 094032220X
ISBN-13: 978-0940322202
Product Dimensions: 5 x 1.3 x 8 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review: 4.5 out of 5 stars See all reviews (13 customer reviews)
Best Sellers Rank: #174,831 in Books (See Top 100 in Books) #103 in Books > Biographies & Memoirs > Regional U.S. > Mid Atlantic #302 in Books > Medical Books > Psychology > Mental Illness #518 in Books > Health, Fitness & Dieting > Psychology & Counseling > Pathologies
Shortly after the death of Daniel Paul Schreber, Sigmund Freud used his (Schreber's) memoirs as the basis for a fantasy of his own. Everyday readers are lucky that Schreber wrote down so much of what he saw, heard and felt during his many years in German mental asylums, for his own observations are far more artistic and harrowing than anything Freud ever wrote.In this book, Schreber takes us into his world--the world of the genuine schizophrenic. He writes of the "little men" who come to invade his body and of the stars from which they came.That these "little men" choose to invade Schreber's body in more ways than one only makes his story all the more harrowing. At night, he tells us, they would drip down onto his head by the thousands, although he warned them against approaching him.Schreber's story is not the only thing that is disquieting about this book. His style of writing is, too. It is made up of the ravings of a madman, yet it contains a fluidity and lucidity that rival that of any "logical" person. It only takes a few pages before we become enmeshed in the strange smells, tastes, insights and visions he describes so vividly.Much of this book is hallucinatory; for example, Schreber writes of how the sun follows him as he moves around the room, depending on the direction of his movements. And, although we know the sun was not following Schreber, his explanation makes sense, in an eerie sort of way.What Schreber has really done is to capture the sheer poetry of insanity and madness in such a way that we, as his readers, feel ourselves being swept along with him into his world of fantasy. It is a world without anchors, a world where the human soul is simply left to drift and survive as best it can.
To begin with, the reader should be forewarned that what the author suffers from is not the idiomatic English "nervous illness," or mild neurosis, but a fundamentally different way of seeing the world, stated best by the author at the beginning of Chapter 5:"Apart from normal human language there is also a kind of nerve language of which, as a rule, the healthy human being is not aware." The book's profundity and the author's depth of insight are such that, after reading a few pages of the first chapter, one is reminded of nothing so much as Proust's Remembrance of Things Past: "Souls' greatest happiness lies in continual reveling in pleasure combined with recollections of their human past."....But, after this, the book becomes as disturbing as Proust is essentially soothing. For the author feels himself utterly isolated from other men, not even deigning to recognize them as men at all but as "fleeting-improvised-men" which "creates a feeling in me at times as if I were moving among walking corpses." (Ch. 15) What I found so disturbing about the elaboration of the author's viewpoint and recounting of his tribulations in the asylum is that there is something in his viewpoint that rings essentially true: We do not and can not know even those closest to us on the deep spiritual or "nerve language" level the author exists on in perpetuum. It is this essential truth combined with the author's matter-of-fact, almost cheery, tone that made reading this work such a strange experience for me.
One of my most cherished books in my library. This book is easy to misunderstand, in its intent and its revelation. I cannot even claim any authoritative knowledge, so this is only an interpretation.I think that the history of horrible and sadistic abuse at the hands of his father and the fact that his elder brother became mentally ill as well and then committed suicided only overshadows the importance of Schreber's experience and message. Knowing his history allows the reader to be dismissive about the authenticity of his experience. And that is exactly what one should not do.What should strike the reader is how "sane" Schreber comes across as with the rational, almost objective and detached, and lucid way he writes about his illness and experience in the book. He is most definitely in control of his cognitive functions and he proves this to be the case by being freed from institutionalization and returning to the bench. That said, he is still utterly convinced of the truth of his experience, and while able to function quite normally, he refuses to see his experience as delusional, that is, he still believes in the authenticity of his experience and his religious and metaphysical claims. It was this point that intrigued me the most. Now, if you were to be institutionalized for paranoid delusions, you would not be released if you maintained that your delusions were real and not delusions (at least, the doctors would not recommend you leaving even if you checked in voluntarily).How is the reader to take the paradox that Schreber presents: is he truly mentally fit by the end of the book or is he still ill due to his insistence upon the reality of his delusions?
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