Hardcover: 320 pages
Publisher: Black Dog & Leventhal; 1st Printing edition (October 17, 2005)
Language: English
ISBN-10: 1579124488
ISBN-13: 978-1579124489
Product Dimensions: 10.8 x 1.3 x 12.8 inches
Shipping Weight: 5.4 pounds
Average Customer Review: 4.0 out of 5 stars See all reviews (22 customer reviews)
Best Sellers Rank: #549,093 in Books (See Top 100 in Books) #190 in Books > Arts & Photography > Music > Musical Genres > Ethnic & International > Ethnomusicology #697 in Books > Reference > Encyclopedias & Subject Guides > Music #741 in Books > Humor & Entertainment > Sheet Music & Scores > Forms & Genres > Lieder & Art Songs
When I first picked up "The American Songbook" at my local B&N it was a thrilling experience. The photographs and layout looked great and it seemed that the ground covered was extremely generous and, at first superficial glance, the text well written. But as it turned out after the book was purchased and I was able to sit down comfortably to really read it, things turned out to be much less than desired.As usual with modern published books the editing job is simply atrocious: mis-spelled words all over the place, repeated paragraphs, inconsistent dates for events, etc.While the author does warn that his opinions are just that, his opinions, it still grates the nerves to find such opinions so thoughtless and/or uninformed: "In the 1960s (writing about music on television, page 199) production values were deployed and rock-lite tunes were featured on NBC's Hullaballoo and its ABC clone, Shindig." Actually Shindig came before Hullaballoo and with performances from the likes of The Rolling Stones, James Brown, Aretha Franklin, etc. there was certainly nothing "rock-lite" about it.What is even more annoying is the author's condescending attitude towards rock music altogether. It is not that I feel that Mr. Bloom's book should have given any special consideration to rock music. He makes it clear at the beginning that his work will deal basically with the classic American songbook. Nothing wrong with that. But why is it so often in American art criticism that in order for something to be praised, something else has to be put down? What is the need for a statement like this, "In February 1964, the U.S. was invaded once again invaded by the British... If anyone doubted that rock-and-roll was here to stay, they were horribly, horribly mistaken".
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